From: Russ Van Rooy <russvr@pop.nwnexus.com>
Reply-To: tv@obbard.com
To: tv@obbard.com
Subject: Re: (TV) Buckley movie
Date: Sun, 09 Oct 2005 14:12:06 -0700
I saw it and have pretty mixed feelings about it. On the one hand, lots of
great footage and interviews. On the orther hand - so much left out - no
mention of his father ( Tim Buckley who had a longer and certainly
impressive recording career, and whose voice and whose life was was
hauntingly similar ), no mention of his early partnership with Gary Lucas,
who helped write some of Buckleys' best songs like Mojo Pin, and maddenly
little on his dealings with Verlaine;why for example, did he choose
Verlaine to produce his second record... well I know it's because Buckly
loved 'Marquee Moon', but this was never mentioned in the movie. What is
apparent is the heavy handed editing , I would suspect, from Buckleys'
mother and executrix. Not surprising I suppose, but it takes from the
accuracyu of an otherwise fine documentary. To get a fuller look at both
Buckley I would suggest the excellent double-bio "Dream Brother" by David
Browne . Lastly, while it is true that Buckly is not nearly as well known
and/or appreciated in the US as he should be, by the look of the massive
crowd attending the movie I went to ( very young looking crowd I would add
,though you get that in Portland), his popularity is continuing to grow.
- Russ
leif joley wrote:
Has anyone seen the documentary "Amazing Grace: Jeff Buckley"? It was
shown here in Stockholm this weekend, at a music film festival. Good
movie, and Buckley himself really looked like a Young God, as someone who
could make a straight man think twice about homosexual encounters. Only
two brief mentions of Tom Verlaine, though; surprisingly few, since
Verlaine produced the demos that became the late singer's final album.
Some might know more about Buckley than I do, but apparently he fled NYC
for Memphis to get a more "rootsy" feel to the follow-up to "Grace".
Then why hire a New York hipster like Verlaine as producer? An immediate
second thought here: parts of "Warm and cool" might have a "Souther
Gothic" climate. But no other Verlaine recording, I think.
Jeff Buckley obviously never made it especially big in America, and isn't
especially revered today either. Like some American film stars, his fame
is more apparent in France, according to the film.
/Leif J, Sweden
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