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(TV) lou vs. cale: what becomes a legend most?
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- Subject: (TV) lou vs. cale: what becomes a legend most?
- From: wal00@hampshire.edu
- Date: Sun, 02 Jun 2002 21:21:48 -0400 (EDT)
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a friend and i are in the process of compiling songs for a worst of Lou Reed
anthology (for 90 min tapes, of course), and boy are the prospects
overwhelming! is it only funny to us that the same person who released 'growing
up in public', 'mistrial', 'sally can't dance', 'street hassle', 'new
sensations', etc. remains so highly regarded? i mean, there's some good stuff,
but most of it's just crap. 'growing up in public' might just be the most
hilarious record i've ever heard. and the covers to some of those albums? don't
even get me started... Lou's been in a remarkable slump for a long, long time.
when was the last _good_ Lou record? John Cale has had a much more admirable
career than Lou, certainly ('paris 1919', 'academy in peril', 'helen of
troy', 'vintage violence'). 'guts' is a damn funny album, tho. especially if
you think about it in the same context as the terrific minimalist stuff w/ Tony
Conrad. to me, Cale demonstrates a more thorough understanding of his own
music, and a clearer vision, than Lou. Lou just seems to be floundering around
in the studio with a bunch of hot-shot session musicians that he doesn't know
what to do with. however, in terms of post-Velvets solo output, Nico's albums
beat the pants off those two geezers any day.
the Zombies are amazing. the 4-disc box is delectable thru and thru. and you've
gotta admit, the Fabs are a bit overrated.
willie
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